Thursday, October 31, 2024

Tribute to Kim Jung Gi – Sketch from THU 2024

 



During my time at THU (Trojan Horse Was a Unicorn) 2024, I took a moment to create a tribute sketch for Kim Jung Gi, an artist whose impact on the art world is beyond measure.


Kim Jung Gi’s unparalleled talent, creativity, and passion for art continue to inspire artists across the globe. His dynamic linework, incredible memory, and storytelling ability have set a benchmark that few can match.

While surrounded by other artists at THU, it felt natural to honor someone who changed the way so many of us approach sketching, composition, and even how we view the act of drawing itself. This sketch was my small way of paying respect to a master whose influence is still felt daily in the creative community.

I miss his presence deeply, but his energy lives on through every artist he touched. His work remains a source of inspiration for me.

Rest in peace, Kim Jung Gi. Your art lives forever.

#KimJungGi #TributeSketch #THU2025 #ArtInspiration #MasterArtist #SimonLocheArt #Sketching #DrawingTribute


Wednesday, October 2, 2024

Using MapCrunch and Instant Street View for Landscape and Environment Painting Inspiration

Finding fresh, interesting references for landscape and environment studies can sometimes feel repetitive. That’s why I often turn to two great tools: MapCrunch (https://www.mapcrunch.com) and Instant Street View (https://www.instantstreetview.com).

Both platforms pull imagery from Google Street View, offering access to real-world environments from all over the globe. Whether you’re looking for a windswept coastline, a dense urban street, or a remote countryside, you can land somewhere unexpected and inspiring in just a few clicks.

MapCrunch drops you into random locations, often leading to places you wouldn’t think to search for yourself. Instant Street View lets you be more targeted, searching specific cities, landmarks, or regions, while still using the navigable Street View imagery. Together, they give you both randomness and control depending on what kind of reference you’re after.



For artists, these tools are invaluable because they expose you to different lighting, architecture, terrain, and mood, and they help you avoid falling into the trap of painting the same type of scene over and over again.


Mini-Tutorial: How to Use MapCrunch and Instant Street View for Painting Studies

  1. Explore Randomly or Intentionally

    • Use MapCrunch for random inspiration. Just click “Go” and see where it takes you.

    • Use Instant Street View if you have a specific place in mind, like “Iceland coast” or “Tokyo back alley.”

  2. Look for Composition Opportunities

    • Move around and adjust the viewpoint to find strong framing, leading lines, interesting light, or color contrasts.

  3. Capture the Scene

    • Take a screenshot when you find a composition you like. Focus on big shapes and mood rather than tiny details.

  4. Set a Time Limit for the Study

    • Challenge yourself to do a quick 30- to 45-minute study to capture the essence without getting lost in over-rendering.

  5. Vary Your Exercises

    • Paint the environment as it is, or push it further: change the weather, time of day, or add storytelling elements.

    • Try doing a series based on a single region but at different times of day.


Using tools like MapCrunch and Instant Street View keeps your practice dynamic, varied, and full of surprises. They’re simple, free, and a fantastic way to stretch your observation and imagination.

If you haven’t tried them yet, I highly recommend adding them to your study routine.


#LandscapePainting #EnvironmentArt #ArtInspiration #MapCrunch #InstantStreetView #DigitalPainting #SimonLocheArt

Saturday, September 14, 2024

The Value of Quick Marker Studies – 1 Value Exercises

 


One of the easiest yet most efficient methods to enhance your visual comprehension is to do quick studies with markers. Specifically, 1 value studies, which use only one shade of grey or black, compel you to concentrate solely on readability, composition, and shape.

Markers provide immediacy, something that digital tools can occasionally make more difficult. No undo button or endless tweaking is available. You learn to make decisions more quickly and confidently as a result of your commitment to each stroke.

Limiting yourself to a single value forces you to consider what is most important. Which silhouette is it? Where is the difference? What elements of the picture must be immediately readable, even at a quick glance? These exercises sharpen your ability to group information and simplify complex scenes without losing clarity.


Quick marker (or digital marker) studies aren’t about making perfect drawings. They’re about training your eye to see what’s essential and to strengthen your instincts. Over time, these fast, focused sessions have a real impact on larger, more detailed works.

It’s a habit I keep coming back to, and one I highly recommend to anyone serious about improving their foundations. Grab a marker and start with one value. You’ll be surprised how much you learn.

#ArtFundamentals #ValueStudies #MarkerSketching #QuickStudies #VisualDevelopment #SimonLocheArt

Tuesday, August 13, 2024

Landscape Study in Collserola with HeavyPaint


 

This digital landscape was painted during a walk in Collserola, the natural park just outside Barcelona. It’s a place I often return to, not just for the views, but for the quiet rhythm it offers, especially when you step away from the city.


I used HeavyPaint for this study. The app’s stripped-down interface and unpredictable brushes push you to think in broad shapes and color relationships rather than fine details. Perfect for capturing the mood of a place quickly, without getting stuck in technical execution.


This sketch wasn’t planned. It was more of a response to the light and how it moved across the hills and tree lines. Just a few colors, a few shapes, and an attempt to hold onto that feeling for a bit longer.


Looking forward to doing more of these, both in Collserola and wherever the next walk takes me.

Sunday, June 30, 2024

Quick Life Drawing Studies in Infinite Painter

I recently took a short break to do a couple of quick life drawing sketches, this time using Infinite Painter on the iPad.


No pressure, no overthinking, just trying to capture gesture, proportion, and energy in a few minutes per pose. These were fast studies, but that’s often when things feel the most honest.


What I really appreciate about Infinite Painter in this kind of session is how fluid and responsive the tools feel. The pencil brushes give enough texture and the simplicity of the interface makes it easy to stay focused on observation and rhythm rather than getting caught up in technique.


I still think nothing beats drawing from life to stay sharp. Whether it’s for warming up, loosening the hand, or just reconnecting with the fundamentals, these quick studies always help.





 

Saturday, June 1, 2024

Landscape Study in Infinite Painter


Digital Portrait of Vincent Cassel in Infinite Painter

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Every once in a while, a subject captures your attention not just because of their appearance, but because of the attitude, expression, and raw character they bring to a frame. That was the case with this
 digital portrait of French actor Vincent Cassel, which I painted using Infinite Painter on the iPad.

Cassel’s face is a study in contrasts, sharp and angular, yet incredibly expressive.

I wanted to keep the rendering loose but intentional, focusing more on capturing his energy and presence than achieving photographic accuracy.

As always, painting portraits like this is a way to explore character through form. It’s not about copying a photo but interpreting a presence.

#VincentCassel #DigitalPortrait #InfinitePainter #PortraitStudy #iPadArt #CharacterPortrait #SimonLocheArt

Tuesday, May 14, 2024

Lessons Learned in Pencil Drawing: The Importance of Size

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One of the most unexpected lessons I’ve learned through pencil drawing has nothing to do with shading or line quality - it has to do with size.

When I first started sketching, I would often draw too small. A face, a figure, or a composition would barely take up a third of the page. While it felt comfortable and manageable at first, I later realised how limiting this habit had become.

Working small often leads to cramped gestures, tight lines, and a reluctance to explore bold forms. It becomes harder to capture the energy of a pose or the full expression of a face when there’s no room to move your hand or loosen up your strokes.

Increasing the scale of my sketches, even just slightly, opened up everything. The lines became more fluid, the gestures stronger, and the overall drawings more confident. It also improved my understanding of proportion and structure, since I was now forced to confront them at a larger scale.

Drawing larger doesn’t mean abandoning control; it means giving yourself the space to think in forms, not just outlines. It allows for corrections, layering, and above all, movement. And when you're drawing with pencils, movement is what brings life to the work.

One of the key benefits of working at a larger scale is that it encourages you to draw not only with your fingers, but with your wrist and even your shoulder. This shift in physical engagement changes everything. It frees up your motion, helps you build stronger lines, and introduces a new level of gesture and dynamism into your drawings. The more your whole arm is involved, the more expressive and confident your strokes become.

So if you find yourself stuck, tightening up, or repeating the same types of sketches, consider this: maybe all you need is a bigger piece of paper.


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#PencilDrawing #SketchingTips #DrawingFundamentals #TraditionalArt #ArtProcess #SimonLocheArt

Friday, May 3, 2024

Digital Landscape Study: Clouded Sky and Marshy Seashore at Sunset (Infinite Painter)

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This recent digital painting study, created in Infinite Painter on iPad, was inspired by a dramatic coastal scene that captured both atmosphere and tension. The focus of the piece was a cloud-filled sky at sunset, heavy with movement and light shifts, stretched above a quiet shoreline dotted with marshes.

I was drawn to the contrast between the weight of the clouds and the softness of the fading sunlight reflecting on the water.

Working in Infinite Painter allowed me to blend texture and color efficiently, experimenting with brushes that mimic oil or pastel without losing precision. I kept the palette tight, leaning into cool purples, desaturated greens, and streaks of warm orange light cutting through the grey.

The result is more about mood than detail. It’s an attempt to capture that fleeting moment at the end of a stormy day, when the clouds finally break and the light spills across the land in unexpected places, one of those moments when the landscape feels bigger than you.

Looking forward to exploring more scenes like this.

#DigitalLandscape #InfinitePainter #iPadArt #CloudscapePainting #SeashoreStudy #SunsetMood #SimonLocheArt

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