When I first started sketching, I would often draw too small. A face, a figure, or a composition would barely take up a third of the page. While it felt comfortable and manageable at first, I later realised how limiting this habit had become.
Working small often leads to cramped gestures, tight lines, and a reluctance to explore bold forms. It becomes harder to capture the energy of a pose or the full expression of a face when there’s no room to move your hand or loosen up your strokes.
Increasing the scale of my sketches, even just slightly, opened up everything. The lines became more fluid, the gestures stronger, and the overall drawings more confident. It also improved my understanding of proportion and structure, since I was now forced to confront them at a larger scale.
Drawing larger doesn’t mean abandoning control; it means giving yourself the space to think in forms, not just outlines. It allows for corrections, layering, and above all, movement. And when you're drawing with pencils, movement is what brings life to the work.
One of the key benefits of working at a larger scale is that it encourages you to draw not only with your fingers, but with your wrist and even your shoulder. This shift in physical engagement changes everything. It frees up your motion, helps you build stronger lines, and introduces a new level of gesture and dynamism into your drawings. The more your whole arm is involved, the more expressive and confident your strokes become.
So if you find yourself stuck, tightening up, or repeating the same types of sketches, consider this: maybe all you need is a bigger piece of paper.
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