Essential Ink Drawing Tips: Line Weight, Texture, and Confidence

Last Saturday evening quick inking sketches

Inking is one of the most rewarding parts of the drawing process, and also one of the most unforgiving. There’s no undo, no erasing, no backtracking. But that’s what makes it powerful. Ink rewards bold decisions, controlled rhythm, and a sensitivity to surface and stroke.

Here are a few essential ink drawing tips to help you build more confidence, clarity, and expression in your work:

---

1. Vary Your Line Weight
Think of line weight as a way to guide the viewer’s eye. Use thicker lines to emphasize structure, form, and objects in the foreground. Use thinner lines for detail, texture, and elements that are farther away.

The contrast between thick and thin adds visual interest and helps separate planes, even without any shading.

---

2. Use Your Whole Arm, Not Just Your Wrist
For long, flowing strokes, engage your shoulder and elbow, not just your wrist. This gives you smoother curves and more confident lines. Before starting a drawing, warm up with quick, loose gestures, 10 big curves or ellipses with no stopping.

The more you move your arm, the more energy and fluidity your lines will have.

---

3. Let the Paper Add Texture
Don’t fight your surface. Work with the texture of the paper by varying the pressure of your strokes. Let the brush or pen skip and break a little, especially for rough textures, shadows, or organic surfaces. These subtle imperfections add character.

A heavy press gives you solid blacks. A lighter touch lets the paper show through, giving your work atmosphere and grit.

---

4. Embrace Imperfection
Ink is about decision-making, not perfection. If a line wobbles or breaks unexpectedly, use it. Fold it into the drawing. Sometimes the best part of an ink drawing is the mistake you didn’t try to fix.

---

5. Commit to the Line
Hesitation shows. Commit to each stroke with purpose, even if it’s not 100% right. Confident lines, even if slightly off, are often more appealing than over-cautious ones.

If unsure, lightly pencil your structure first, then ink with clarity.

---

Inking isn’t just about control; it’s about rhythm, sensitivity, and letting go of perfectionism. Like all skills, it comes with mileage. So grab your favorite brush pen, turn off the pressure to be perfect, and let the ink flow.

#InkDrawing #DrawingTips #LineWeight #BrushControl #TraditionalArt #SimonLocheArt

5 Myths About Concept Art Debunked by Industry Insiders

Concept art is one of the most misunderstood disciplines in the creative pipeline.
From the outside, it often looks like a dream job: all imagination, beautiful illustrations, and endless creative freedom. But those of us who have worked in the industry know that reality is more nuanced. Here are five common myths about concept art, debunked by real experience and insider insight.

Concept Art from Breakaway - Amazon Games. Here, the call out sheet shows details on materials

Myth 1: Concept art is all about finished, polished illustrations

In truth, most concept art created for production is not meant to be portfolio-perfect. It needs to be fast, clear, and functional. Concept artists provide visual solutions, not showcase pieces. That means quick sketches, shape exploration, material callouts, and notes that help the rest of the team understand and build from the idea. The best concept art communicates effectively, not just looks pretty.

Myth 2: Concept artists work alone, in creative isolation

The romantic idea of the lone artist dreaming up entire worlds rarely applies. In reality, concept artists work closely with art directors, 3D artists, game designers, and other departments. Communication, adaptability, and collaboration are key. Most of the job is about supporting a shared vision, not pursuing personal artistic expression.

Myth 3: You have to be a master painter to be a concept artist

While strong fundamentals in drawing and design are crucial, you don’t need to paint like a classical master. A good concept artist knows how to solve problems visually, use references effectively, and prioritise readability and intent over rendering. Design thinking often matters more than polish.

Myth 4: Concept art is the same as illustration

This one comes up a lot. Illustration is often about creating a final, standalone image. Concept art is part of a larger process. It’s functional, iterative, and disposable. While both fields share some overlap in skills, their purposes and workflows are very different. Concept art serves production.

Myth 5: Concept art is all fun and creativity

Of course there’s creative freedom, but concept art also involves a lot of structure, technical constraints, and problem solving. You often work under pressure, with tight deadlines and feedback loops. Sometimes your favourite design gets cut. Sometimes you draw the same object ten different ways. It’s rewarding work, but it’s also a job.

---

Prop Concept Art Sheet - Breakaway - Amazon Games - Simon Loche and GFactory

Understanding the reality of concept art helps both aspiring artists and curious outsiders appreciate the depth of the discipline. It’s not just art,  it’s design, communication, and collaboration in motion. Debunking these myths brings us closer to seeing concept artists for what they really are: visual problem solvers working at the heart of production.

#ConceptArt #GameArt #ArtIndustry #VisualDevelopment #DigitalArt #ArtCareer #ConceptArtistLife #ArtEducation #CreativeProcess #SketchbookWork #SimonLocheArt

Power Outage in Spain: What’s in Your Artist Survival Kit?

 

Yesterday, all across parts of Spain, there was a massive power outage. No lights, no internet, no screens, and certainly no Photoshop.

It got me thinking… we often talk about survival kits, flashlights, water, battery packs, but what about an artist’s survival kit? What would you need to keep creating without electricity, without tablets, and without digital tools? I rely personally a lot on new technology, and I often need to force myself to reconnect to traditional tools.

Are we still artists if our creativity depends entirely on specific tools, or does artistry stop where our tools can no longer carry us?

Let’s face it, we’ve ALL become a bit too dependent on chargers and undo buttons.

SO... here’s a fun little list of what I’d pack in my offline, post-apocalyptic, no-WiFi, artist survival kit:

---

1. Pencils. Lots of them.

Not one mechanical pencil that runs out of lead in five minutes. I’m talking real, solid graphite. 2B, 4B, 6B, and a lot of colored pencils, give me a full range, and I’m good. Bonus points for a pencil sharpener you don’t need a USB port for.

---

2. Pens (because ink forgives nothing)

Microns, brush pens, and a good old fountain pen if you’re feeling fancy. Ink sketching without Ctrl+Z is a humbling experience, but that’s what makes it worth doing.

---

3. A Sketchbook That Can Take a Beating

One that doesn’t fall apart in the rain and doesn’t smudge every time your wrist touches the page. Spiral, hardcover, softcover, it doesn’t matter as long as you like the paper and it’s ready when inspiration (or boredom) strikes.

---

4. A Compact Gouache or Watercolor Set

If you’ve ever painted by candlelight, you know it’s both magical and mildly impractical. But having a tiny travel gouache or watercolor kit and a brush with a refillable water tank? Game changer.

---

5. A Brush Pen or Two (because they do everything)

Sketch, ink, shade, paint, and brush pens are the multitool of the traditional art world. Add a few to your kit and you’re ready for pretty much anything.

---

6. A Lantern or Headlamp

Because, as romantic as it sounds, drawing in total darkness is less inspiring than you’d think.

---

7. Imagination (doesn’t need a power source)

The truth is, being “offline” can be a gift. No distractions. No scrolling. Just you, your tools, and your ideas. That’s a creative reset we all need once in a while.

---

A picture of a random page in my sketchbook.

The blackout might have been annoying (okay, it was annoying), but it was also a good reminder: you don’t need fancy software or a digital setup to make art. Just some basic tools and a brain that likes to ask “what if?”

So next time the lights go out, maybe don’t panic. Maybe open a sketchbook instead.

You never know, your best idea might show up when the WiFi doesn’t.

But here’s the real takeaway: don’t wait for a power outage to unplug.

There’s something grounding about returning to traditional tools now and then. No layers. No shortcuts. No infinite undos. Just you, the page, and the marks you choose to make.

Even in a digital world, it’s worth reminding ourselves that creativity doesn’t depend on electricity. Reconnecting with traditional media sharpens your instincts, clears your head, and reminds you why you started drawing in the first place.

So next time the lights go out, maybe don’t panic. Maybe open a sketchbook instead.

You never know... your best ideas might show up when the WiFi doesn’t.

#AnalogArt #ArtSurvivalKit #NoPowerNoProblem #SketchbookLife #SpainPowerOutage #ApagonEspaña #SimonLocheArt

T(h)ree-Value Study – Simplicity in Adobe Fresco

This piece is a quick three-value study I painted using Adobe Fresco. The goal was simple: focus purely on shape, contrast, and atmosphere without letting details take over.

Working with only three values, light, midtone, and dark, forces you to make clear decisions about composition and structure. It’s an exercise I keep coming back to because it sharpens the fundamentals that every painting relies on, no matter how complex the final result might be.

It’s always worth taking a step back and reconnecting with the basics. I’ll definitely be doing more of these.

And if you want to see another 3 values study I made, just follow this link:
https://simonloche.blogspot.com/2025/02/quick-digital-paint-3-values-study.html

#AdobeFresco #DigitalArt #ValueStudy #SketchingPractice 

The Concept Artist’s Arsenal: Tools to Sharpen Your Skills Like a Samurai

Concept Art from Breakaway - A game I art directed a few years ago.

In the world of concept art, much like in the way of the samurai, success does not come through raw talent alone. It comes from discipline, preparation, and the careful sharpening of one’s tools over time.

A concept artist is a visual warrior. Each project is a new battleground, and the tools you carry must be ready, reliable, and refined. The wrong tools, or worse, a lack of mastery over them, can turn opportunity into defeat.

Here is a guide to the essential weapons every concept artist should master and carry into their daily practice.

---

0. A Trusted Drawing Tablet (Wacom Cintiq, Intuos, or Equivalent)

A samurai would never enter battle without a blade tuned to their hand. Similarly, a concept artist must be at ease with their tablet. Whether it’s a screen-based tool like the Cintiq or a classic pen tablet like the Intuos, your connection to the canvas must be fluid and precise.

---

1. Photoshop

Photoshop remains the katana of digital painting: sharp, versatile, and adaptable to nearly any situation. From quick sketches to matte paintings to final concept renders, mastery of Photoshop is non-negotiable for a serious concept artist and a go-to standard in the industry.

---

2. Clip Studio Paint

For those who favor the elegance of ink and the strength of line, Clip Studio Paint offers the perfect balance. Its sensitivity to pressure, brushwork, and its stability make it a favorite for artists who value precision and gesture.

---

3. Blender

Even a master swordsman studies the structure of his opponents. Blender allows concept artists to quickly build blockouts, establish lighting references, and set foundations for complex environments. A flexible 3D tool, and free, it offers endless opportunities for those willing to learn its techniques. And it's FREE!

---

4. ZBrush

When the need arises for intricate armor, elaborate creatures, or realistic surfaces, ZBrush is the tool of choice. It demands focus but rewards perseverance with a level of detail and form that few other tools can match.

---

5. PureRef

A warrior’s mind is sharpened by study, and PureRef is the perfect library. It lets you gather and organize your references, your maps, your inspirations, without breaking the flow of battle. Clean, efficient, and always close at hand.

---

6. Coolorus

The color wheel is the artist’s sense of timing and balance. Coolorus, a Photoshop plugin, makes choosing hues, values, and harmonies feel instinctive. A far more intuitive tool than the default picker, it helps sharpen color decisions quickly under pressure.

--> Why Coolorus Is One of the Best Photoshop Plugins for Artists

---

7. Procreate or Infinite Painter (with an iPad)

Sometimes, agility matters more than heavy armor. Procreate and Infinite Painter offer speed and portability, perfect for on-the-go sketching, fast ideation, and warming up before bigger battles.

---

8. Instant Street View and MapCrunch

A wise warrior studies the landscapes before marching. Tools like Instant Street View and MapCrunch provide access to countless real-world references for environments, lighting, and atmosphere, essential for building believable worlds.

--> Using MapCrunch and Instant Street View for Landscape and Environment Painting Inspiration

---

9. Substance Painter

For when precision in materials and surfaces becomes necessary, Substance Painter offers real-time painting directly onto 3D assets. It sharpens a concept artist’s understanding of texture, light interaction, and realism.

---

10. A Solid Sketchbook and Traditional Materials

Even in a digital age, the old ways endure. A simple sketchbook, pencil, or brush sharpens the hand and eye like no screen ever could. Fast studies, loose thumbnails, and spontaneous ideas find their purest form here.

--> 5 Best Sketchbooks for Artists (and Why They’re Worth Using)

---

Final Reflections

A samurai’s strength lies not only in their sword but in their discipline, awareness, and adaptability.

For a concept artist, tools are no different.

You do not need every blade, but you must know the ones you choose with confidence and mastery. Invest your time wisely. Sharpen your skills with patience. And never forget: the tools exist to serve the artist’s vision, not to define it.

What weapons do you carry into your creative battles? Feel free to share your essentials.

#ConceptArt #ArtTools #Photoshop #ClipStudioPaint #Blender #ZBrush #PureRef #DigitalArt #ArtistDiscipline #SimonLocheArt

Why Coolorus Is One of the Best Photoshop Plugins for Artists

 

When it comes to working efficiently in Photoshop, having the right tools in place can make a huge difference. One plugin I keep coming back to, and can’t recommend enough, is Coolorus, a color wheel extension that completely changes the way you interact with color inside Photoshop.

Photoshop’s default color picker works, but it’s not exactly artist-friendly. It’s functional, but not visual. Coolorus brings in the kind of intuitive, painter-focused interface you’d expect from software like Corel Painter or Infinite Painter, making it much easier to explore, select, and manage your color palette.

Here’s why it stands out:

1. A Better Color Wheel

Coolorus uses the HVC color model (Hue, Value, Chroma), which gives you a visual layout that’s more in line with how traditional painters think about color. Instead of hunting through sliders, you can see and feel the relationships between colors instantly.

2. Smart Color Harmony Tools

Coolorus includes built-in color harmony guides, complementary, split-complementary, analogous, triadic, and more. It makes building a balanced palette fast and intuitive, especially during early concept or layout phases.

3. Real-Time Feedback

As you paint, you can easily lock hues, preview temperature shifts, and fine-tune your tones with precision. It’s small adjustments like these that save time and allow for a more controlled color workflow.

4. It Just Fits

Coolorus integrates seamlessly into your Photoshop UI. You can dock it like any other panel, set it up in your custom workspace, and access it instantly. It’s fast, responsive, and doesn’t interrupt your flow.

5. Useful Shortcuts and UI Customization

You can customize how the color wheel looks and behaves, change the layout, toggle RGB sliders, or lock values depending on your preference. The ability to tweak the interface means it adapts to your personal workflow, not the other way around.

---

If you work in Photoshop and deal with color daily, whether you’re painting, illustrating, designing, or concepting, Coolorus is absolutely worth having in your toolkit. It’s one of those quiet additions that speeds things up, makes your work more consistent, and lets you focus more on the art and less on the tools.

LINK: https://coolorus.com

Highly recommended.

#Coolorus #PhotoshopPlugin #DigitalPainting #ColorWorkflow #ArtTools #SimonLocheArt

Daily Challenge – Can You Still Mix Color Like It’s Real Paint?

 

In the era of digital painting, where sliders and color pickers do much of the heavy lifting, it’s easy to forget how color mixing actually works in traditional media.

If you’ve spent a lot of time working digitally and want to test whether your real-world color instincts are still sharp, here’s a fun little challenge:

👉 Try the color mixer here

It’s a simple but effective exercise. You’re given a target color and asked to recreate it by mixing just a few base colors, just like you would with real paint.

Apparently, I’m still in shape. I managed to hit 99% accuracy! But I still paint regularly with gouache and oil, so I guess that muscle memory is still there.

If you’re feeling a bit rusty or just want to challenge yourself, give it a try. It’s a great way to reconnect with how hues, saturation, and values behave outside of digital tools.

And if you take the test, share your screenshots. I’d love to see how others are doing!

#ColorTheory #DigitalPainting #TraditionalArt #ArtChallenge #PracticeMatters

My New Portfolio Is Now Online – A Fresh Look at My Work

After some long-overdue reorganizing and curation, I’m pleased to share that my updated online portfolio is now live.

This new version presents a more focused selection of my work across various areas, including concept art, digital painting, character design, and visual development for games. It includes both professional projects and personal explorations, highlighting not just the finished results but also the thinking and decision-making that shaped them.

I’ve designed the site to be clean and easy to navigate, with sections organized by discipline to make browsing more straightforward, whether you’re interested in art direction, stylized design, or technique-driven studies.

This update is also part of a broader effort to share more consistently, process insights, behind-the-scenes sketches, and ongoing work that doesn’t always make it into final projects. And as always, this blog will remain a space where I’ll share other types of explorations, experiments, thoughts, and work-in-progress that may not fit neatly into portfolio categories.

If you’re curious to take a look or just want to see what I’ve been working on, the new portfolio is here:

📁 Click here to see my Portfolio

Feedback, questions, or conversations are always welcome. Thanks for stopping by.

#PortfolioUpdate #ConceptArt #DigitalPainting #GameArt #ArtDirection #BehindTheCanvas

Exploring Rebelle 7: Bridging Traditional and Digital Painting

I’ve enjoyed my trial of Rebelle 7 so much that I decided to purchase it and spend more time exploring what it can do.

After spending some time with the trial version of Rebelle 7, I found myself coming back to it more and more. What started as simple curiosity quickly turned into a genuine appreciation for what this painting software offers. It didn’t take long before I decided to purchase it and dedicate time to really explore its full potential.

What makes Rebelle 7 stand out to me is how effortlessly it bridges the gap between traditional media and digital flexibility. Coming from a background rooted in traditional drawing and painting, I’ve always found most digital tools a bit too clean, too polished, often lacking the tactile nuance I love. Rebelle changes that.

The software simulates the natural behavior of real-world media incredibly well. Whether you’re working with oils, impasto textures, pencil strokes, or fluid washes, Rebelle delivers a surprisingly authentic experience. Its fluid dynamics system is particularly impressive, perfect for simulating watercolors or oils heavily diluted with turpentine.

The portrait I’m sharing here is the first piece I’ve made in Rebelle that I feel genuinely satisfied with. It was a smooth blend of experimentation and discovery, and it gave me the sensation of working on real paper and canvas while retaining the convenience of digital control.

If you’re a traditional artist looking to move into digital, or a digital painter wanting a more organic feel, I highly recommend giving Rebelle 7 a try. It’s a rare tool that feels both professional and intuitive, and it’s one I’ll definitely continue using in my own work.

Trying out Rebelle 7

I’ve been pushing my experiments with Rebelle 7 a bit further lately, and this time I focused specifically on the oil painting tools. After spending some time with them, I can confidently say I’m seriously impressed.

What stood out to me immediately was how naturally the paint blends, smudges, and reacts with the canvas. The experience goes beyond surface-level digital simulation, there’s a sense of depth and tactile response that feels remarkably close to working with real oils. The textures of the brushes, the subtle resistance of the strokes, and the way paint interacts with layers make for a surprisingly immersive workflow.

For artists who come from a traditional background and still crave that physical connection with the medium, but also want the flexibility and efficiency of digital tools, Rebelle 7 is a compelling solution.

It’s a tool that respects the feel of real-world media while expanding what’s possible in the digital space, and for me, that’s a game-changer.

#Rebelle7 #digitalpainting #traditionalfeel

Rebelle 7: First try

I’ve been trying out Rebelle 7, and WOW... this painting software is excellent! If you appreciate what traditional media can do in a digital space, this is worth checking out. 🥰

I'll be exploring more and give you further details and explanations of this software in the near future.

  #rebelle7 #digitalpainting

Essential Hard Skills and Soft Skills Every Concept Artist Needs to Succeed in the Video Game Industry – The Path of the Samurai

 

Becoming a successful concept artist in the video game industry requires far more than just raw talent.

Like a disciplined samurai, a concept artist must sharpen technical abilities while mastering the mindset needed to navigate the demands of production.

It’s the balance between hard skills, the craftsmanship of the hand, and soft skills, the discipline of the mind, that sets apart those who thrive from those who falter.

Here’s a clear and quick breakdown of the essential skills every aspiring and professional concept artist should master to build a sustainable career.

---

Hard Skills for Concept Artists: Building the Foundation

These are the technical abilities you must develop to meet the high standards of professional game development.

1. Strong Drawing Fundamentals

• Master anatomy, perspective, composition, and form.

• Without a solid structure, even the most creative ideas fall apart.

2. Value, Light, and Color Mastery

• Understand how light interacts with form and space.

• Strong value control for clarity; thoughtful color choices bring emotion to designs.

3. Design Thinking and Problem Solving

• Concept art is functional design, not decoration.

• Every prop, character, and environment must serve a clear purpose within the game world.

4. Digital Painting Proficiency

• Be fluent in Photoshop and/or Clip Studio Paint.

• Organized files, efficient workflows, and professional-quality execution are key.

5. 3D Literacy

• Basic knowledge of 3D tools like Blender or ZBrush can improve spatial understanding.

• 3D blockouts are invaluable for complex environments and rapid idea iteration.

6. Visual Storytelling

• Each image must hint at a larger world, a story behind the scenes, and a future yet to unfold.

• Great concept artists communicate entire narratives through a single frame.

• The call-out sheets will tell more than any keyframe or rendered illustration.

7. Video Games Literacy

• Seems obvious, but knowing about video games (both Mobile and PC/Console games) is a must if you want to understand your project, your teammates, and what the visual benchmarks of the industry are.

---

Soft Skills for Concept Artists: Mastering the Mind

Technical skill is not enough without the professional mindset needed to thrive in a studio environment.

1. Adaptability

• Projects shift. Directions change. Styles evolve.

• A good concept artist adjusts without losing focus or quality.

2. Clear Communication

• Being able to articulate ideas visually and verbally is crucial.

• Great designs are backed by clear explanations and thoughtful collaboration.

3. Team Collaboration

• Concept art is just the first step in a larger production pipeline. Be the one inspiring the whole team.

• Understanding the needs of 3D artists, animators, designers, and programmers strengthens the entire team.

4. Resilience to Criticism

• Feedback is essential and often direct.

• Receive it with professionalism, adapt quickly, and grow stronger.

5. Time Management and Efficiency

• Meeting deadlines without sacrificing quality is non-negotiable.

• Fast, clean iterations build trust with leads and directors.

6. Self-Motivation and Lifelong Learning

• The industry evolves constantly. Be ready to evolve as well.

• Continuous learning keeps your skills sharp and your vision fresh.

---

Why Balancing Hard and Soft Skills Matters?

In the competitive landscape of the video game industry, artists who balance strong technical execution with adaptability, communication, and teamwork are the ones who succeed and endure.

Your tools and techniques shape the work, but your mindset shapes your career. A professional concept artist trains both the hand and the spirit, just as a samurai sharpens both the sword and the mind.

Mastering both hard skills and soft skills is essential to becoming not just a good concept artist but a lasting force in the industry. 

Train with focus, work with discipline, and always remain open to growth.

The path is demanding, but for those who walk it with patience and precision, the rewards are worth it.

#ConceptArt #GameArt #CareerAdvice #HardSkills #SoftSkills #ConceptArtistSkills #VideoGameIndustry #SimonLocheArt #ArtDiscipline

Quick digital paint. 3 values study.

 

When it comes to sharpening your artistic fundamentals, few exercises are as effective, and as deceptively simple, as a 3 values study. This quick digital painting was done using Infinite Painter, and it’s part of a series of value exercises I return to regularly to maintain clarity in my compositions.

Why 3 Values?

The core idea is straightforward: limit yourself to just three tones; light, mid, and dark. This forces you to simplify forms, focus on readability, and make conscious decisions about where to place contrast. Without the full spectrum of colors and gradients, you’re left with the essentials: composition, shape, and light logic.

Reducing an image to only three values is an incredible way to improve your ability to group elements and create depth and focus. It also helps to avoid over-rendering and teaches you how to guide the viewer’s eye through strategic contrast.

Why Use Infinite Painter?

I chose Infinite Painter for this study because it offers a minimal yet powerful setup for quick sketches and controlled experiments. Its brush engine and layer control make it easy to block in values, test variations, and refine shapes, all while staying in the flow of creation.

Tips if You Want to Try This Yourself:

• Start with a simple silhouette and build your composition from large shapes first.

• Use a mid-value background to give yourself room to push light and dark.

• Avoid small details, focus on defining the image through shape and contrast.

• Keep it quick. 15–30 minutes is enough to get real value (pun intended) out of the exercise.

This kind of study doesn’t take long but consistently helps me refine my visual thinking. It’s also a great warm-up or break from longer, more detailed pieces.

If you haven’t tried a 3-values study in a while, or ever. I highly recommend giving it a go. You’ll be surprised how much clarity it brings to your overall painting approach.

#3ValuesStudy #DigitalArt #InfinitePainter #ArtFundamentals

Link: Infinite Painter.

Candy Solitaire Launches February 6th!

The cat is out of the bag! I’m thrilled to share that Candy Solitaire is officially launching on February 6th. Huge congratulations to the incredible team at New Games (proud to work in this department) for all their hard work in bringing a fun, vibrant twist to a time-tested classic.

This game is a celebration of creativity, combining the charm of a beloved format with a bold, colorful new look. If you enjoy clever challenges and bright, feel-good design, you won’t want to miss it.

Mark your calendars, this one is going to be sweet.

Trailer:

#CandySolitaire #GameLaunch #ComingSoon #NewGames

Late Afternoon Sketch – Aubrey Beardsley Tribute

 

This is a late afternoon sketch I made of Aubrey Beardsley, the brilliant and short-lived 19th-century illustrator whose work continues to inspire me. His sharp lines, bold contrasts, and striking compositions have always stood out as something unique, timeless in their graphic clarity.

I drew this using Infinite Painter, trying to keep the process simple and direct. No elaborate setup, just a quick session focused on capturing the elegance and eccentricity that defined Beardsley’s visual language.

Even in a short sketch, something is rewarding about spending time with the work of artists who came before, absorbing their choices, their rhythms, and letting some of that filter into your own practice.

Why I Use Shotdeck for My References

 

When it comes to building a strong library of visual references, Shotdeck has become one of my go-to resources.
Whether I’m looking for mood, lighting, composition ideas, or just fresh inspiration, it’s a tool that saves time and consistently delivers.

Shotdeck offers a curated collection of high-quality frames pulled from a wide range of films. What makes it so useful isn’t just the quality of the images, but the way everything is categorized, you can search by color palette, mood, composition type, time of day, genre, or even specific visual themes.

As someone who works across both illustration and concept art, having quick access to frames that have already mastered color balance, staging, and atmosphere is incredibly valuable. It’s not about copying, it’s about learning. Analyzing a great frame gives you practical insight into how professionals structure an image and guide the viewer’s eye.
I often use Shotdeck when preparing moodboards, studying lighting scenarios, or warming up with quick composition sketches. It’s efficient, inspiring, and constantly growing, which means you’re never short on new material to learn from.

If you’re serious about improving your sense of composition, color, or visual storytelling, I highly recommend checking it out. -> https://shotdeck.com

#Shotdeck #ArtReference #VisualStorytelling #ConceptArt #SimonLocheArt

✏️ Step-by-Step Pencil Portrait Tutorial: Master Realistic Drawing!

Drawing realistic portraits can seem intimidating, but with the right approach and a bit of guidance, it becomes a process you can enjoy and grow through.
I’ve just shared a new YouTube tutorial where I walk you through a step-by-step pencil portrait using Infinite Painter as my tool of choice.

Whether you’re just starting out or already comfortable with sketching, this tutorial is designed to help you build solid fundamentals, understand structure, and practice rendering with confidence.

Why Infinite Painter?

Though this is a pencil-style drawing, the tutorial is done entirely in Infinite Painter, an intuitive and powerful app that mimics the feel of traditional tools. Its brush response, simplicity, and ability to replicate the texture of graphite make it a great choice for both digital and traditional artists.
However you can use whatever digital or traditional technique you're comfortable with.

Who Is This For?

This tutorial is ideal for:

• Beginners looking to learn portrait drawing in a step-by-step way

• Traditional artists curious about transitioning to digital tools

• Digital sketchers who want to push their realism and accuracy

• Anyone who wants to draw along and build confidence

Watch the Full Timelapse

If you’ve ever wanted to create portraits that feel lifelike and grounded, this is a great place to start or deepen your practice.

Profile Portrait – Created in Infinite Painter

This is a profile portrait I created on iPad using Infinite Painter, based on a reference photo and sketched with a red old pencil brush. I wanted to keep it simple while exploring texture and line flow, and this brush has just the right feel for that, soft, tactile, and a bit unpredictable in the best way.

Infinite Painter continues to impress with how well it replicates natural media like pencils, oils, gouache, and watercolor. The control it offers over paper texture, depth, and brush behavior makes it one of my go-to tools for digital sketching and painting.

Highly recommend checking it out if you’re after that traditional feel in a digital space.

#DigitalArt #InfinitePainter #iPadArt