Tuesday, April 15, 2025

Exploring Rebelle 7: Bridging Traditional and Digital Painting

I’ve enjoyed my trial of Rebelle 7 so much that I decided to purchase it and spend more time exploring what it can do.


After spending some time with the trial version of Rebelle 7, I found myself coming back to it more and more. What started as simple curiosity quickly turned into a genuine appreciation for what this painting software offers. It didn’t take long before I decided to purchase it and dedicate time to really explore its full potential.

What makes Rebelle 7 stand out to me is how effortlessly it bridges the gap between traditional media and digital flexibility. Coming from a background rooted in traditional drawing and painting, I’ve always found most digital tools a bit too clean, too polished, often lacking the tactile nuance I love. Rebelle changes that.


The software simulates the natural behavior of real-world media incredibly well. Whether you’re working with oils, impasto textures, pencil strokes, or fluid washes, Rebelle delivers a surprisingly authentic experience. Its fluid dynamics system is particularly impressive, perfect for simulating watercolors or oils heavily diluted with turpentine.

The portrait I’m sharing here is the first piece I’ve made in Rebelle that I feel genuinely satisfied with. It was a smooth blend of experimentation and discovery, and it gave me the sensation of working on real paper and canvas while retaining the convenience of digital control.


If you’re a traditional artist looking to move into digital, or a digital painter wanting a more organic feel, I highly recommend giving Rebelle 7 a try. It’s a rare tool that feels both professional and intuitive, and it’s one I’ll definitely continue using in my own work.


Rebelle 7 Digital Paint - Simon Loche



Rebelle 7 Digital Paint - Simon Loche

Rebelle 7 Digital Paint - Simon Loche

Rebelle 7 Digital Paint - Simon Loche


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